emma ríos
emm.rios@gmail.com

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by Luis Yang
Emma is a cartoonist based in Spain. She shifted her focus to a mix of both architecture and work with small press publishers until working on comics full-time in 2007. Having collaborated with publishers like Marvel and DC, she was able to commit to working on her own creator-owned comics again since 2013, thanks to Image Comics, where she co-edited ISLAND and created I.D., MIRROR in two parts: THE MOUNTAIN and THE NEST with Malay cartoonist Hwei Lim, and where she currently co-creates the critically acclaimed PRETTY DEADLY with Kelly Sue DeConnick. The latter earned Ríos several Eisner Award nominations and a win for Best Cover Artist in 2020.
Her most recent graphic novel ANZUELO, a 300+ pages HC release that received a second edition in TPB format as of November 2025 has been Ríos' most obsessive work to date, with 4 years in the making. It was first published in Image comics and also translated to French and adapted by Ríos herself in Spanish.

As illustrator she’s worked for clients such as SIE, PRADA or Wizards of the Coast. She currently collaborates with Japanese brand TORCH TORCH with illustrations  for official apparel tied to  games made by From Software.
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Guillaume Apollinaire

Guillaume Apollinaire – Collection Phares
Label: L'Encyclopédie Sonore – 320 E 889
Series: Série Artistique Collection Phares
Format: Vinyl, LP
Country: France
Released: 1968
Genre: Spoken Word
Guillaume Apollinaire was a French poet, playwright, short story writer, novelist, and art critic of Polish-Belarusian descent.

Apollinaire is considered one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. He is credited with coining the term "cubism" in 1911 to describe the emerging art movement and the term "surrealism" in 1917 to describe the works of Erik Satie. The term Orphism (1912) is also his. Apollinaire wrote one of the earliest Surrealist literary works, the play The Breasts of Tiresias (1917), which became the basis for Francis Poulenc's 1947 opera Les mamelles de Tirésias.



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